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Traditional Cultural Mijikenda dress

Hando – Women’s skirt
Shuka – Men’s Loin Cloth

Hando is a popular traditional skirt worn by Mijikenda women. Traditionally it was worn as a knee-length skirt, especially in the public to show respect by not exposing body parts that were regarded as private. The Hando was made from cotton fabric in the following process:-

  • Pull threads along the grains of fabric in one direction to fray the fabric.
  • It is then soaked in water and while wet, beaten against a tough surface, mostly stone or wood and sometimes in a mortar & pestle to soften the thread strands.
  • The tangled threads are then combed through to straighten using a wide-toothed wooden comb (mkowa).

There are 2 types of skirts
Hando – Regarded as special, dressed in any place at home and on safari. It is also reserved for very special occasions like community ceremonies. Elderly women prefer hando because it is longer and some of them posses special talents such as spirits and divining power.

Bandika  –This is a less special type of hando made from mixed coloured fabrics referred to  as  f Calico and commonly worn at home, it is also gaining popularity as a dance costume, it is therefore made slightly shorter than the hando to ease movement when dancing.Younger women interested in exposing their bodies prefer this type of skirt

When visiting places where one needs to show respect by covering nakedness, bandika is worn with a longer wrap underneath.In the past, these skirts were worn without anything to cover chests, but with improvement, a matching cotton fabric is tied to cover nudity.

Women of any age can wear hando but restrictions are imposed on colours that are significant to practices that the community associates with as follows.

White Hando( Handoraruhe/ Bafuta) – popular during cultural wedding/marriage ceremonies. It has no restriction to particular age groups.

Red Hando (HandoraNgundu/Tune) – this colour is associated with spirits; it is commonly worn by women who are thought to possess spirits. It is believed that a grandmother can pass over spirits to a daughter or granddaughter and recommend that they dress in the red coloured hando. (Women with spirits wear their hando with a mix ofblue, white and red coloured beaded bracelets and sometimes with talisman (hirizi)

Blue Hando (Hando raMsimbiji) –
 this is worn by diviners to enable the rest of community members identify them by their role of divining & traditional healing.

Hando raKaputula – this style of hando would be of mixed colors of lesso fabric, prepared like all the others but worn very short like miniskirts. It was popular among young girls and fashion conscious ladies who prefer short to long.

The hando was worn with other adornments such as:-

  • Aluminium Arm bangles /Bracelets – worn around wrists and molded from old aluminum cooking pans by traditional Mijikenda blacksmiths.
  • Tunda– this is made from strands of coloured beads( usually red, yellow and white) intertwined around the waist
  • Brass or bronze Necklace – Mkufu
  • Beaded Arm bands –  Vivorodete – worn in pairs by married women around the arms above the elbow during social meetings, ceremonies and festivals.
  • Ankle Bangles–Vidanga
  • Tsango- coiledaluminium wire worn around the arm below the elbow by girls and unmarried women. Popular during dances and when visiting relatives.
  • Earnings –Vifufu – molded from aluminium

Men wore white loin cloth called shuka and nothing else on top.However as a mark of recognition, elders with special responsibilities in the community also wore them. These are: –
Vaya – elderly men who dealt with politics and governance
Gohu – Elderly men of a secret society responsible for oaths & medicine men.  The elders worekitambi/kaniki on the waist. Kitambi could be a blue coloredkikoy with red bands on the top and bottom.
Kaniki– a plain blue or black colored calico strands tied around the waist to form a dress piece known as mkumbuu
Amba/yamba – A long white piece of Calico shawl flipped on the shoulders.

Both men and women styled their hair in dreadlocks.

Information collected from
Emmanuel Munyaya
KadzoNgumbaoNzai (Tetemeko dance group).
Compiled by Doris Kamuye – Librarian – Webb Memorial Library, Malindi Museum

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